{"id":359,"date":"2021-10-01T14:07:44","date_gmt":"2021-10-01T14:07:44","guid":{"rendered":"http:\/\/ankommen-ohne-worte.de\/?page_id=359"},"modified":"2021-10-02T10:10:47","modified_gmt":"2021-10-02T10:10:47","slug":"emma-h-zhang","status":"publish","type":"page","link":"https:\/\/ankommen-ohne-worte.de\/en\/emma-h-zhang","title":{"rendered":"Emma H. Zhang"},"content":{"rendered":"[et_pb_section fb_built=&#8220;1&#8243; admin_label=&#8220;Header Section&#8220; _builder_version=&#8220;4.10.7&#8243; use_background_color_gradient=&#8220;on&#8220; background_color_gradient_start=&#8220;#474747&#8243; background_color_gradient_end=&#8220;rgba(233,240,246,0.2)&#8220; background_color_gradient_overlays_image=&#8220;on&#8220; background_image=&#8220;http:\/\/ankommen-ohne-worte.de\/wp-content\/uploads\/2021\/09\/Plakatentwurf-Arrival-blue-Websmall.png&#8220; min_height=&#8220;621px&#8220; custom_margin=&#8220;||-230px||false|false&#8220; custom_margin_tablet=&#8220;0px||-260px||false|false&#8220; custom_margin_phone=&#8220;0px||-350px||false|false&#8220; custom_margin_last_edited=&#8220;on|desktop&#8220; custom_padding=&#8220;10%||0%||false|false&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_row custom_padding_last_edited=&#8220;off|desktop&#8220; admin_label=&#8220;Header Row&#8220; _builder_version=&#8220;3.25&#8243; custom_margin=&#8220;|||&#8220; custom_padding=&#8220;2px||0px|||&#8220; custom_padding_phone=&#8220;3vw|||&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;3.25&#8243; custom_padding=&#8220;|||&#8220; global_colors_info=&#8220;{}&#8220; custom_padding__hover=&#8220;|||&#8220;][et_pb_text admin_label=&#8220;Heading &#038; Subheading&#8220; _builder_version=&#8220;4.10.8&#8243; text_font=&#8220;|600|||||||&#8220; text_font_size=&#8220;-2px&#8220; text_line_height=&#8220;1.8em&#8220; header_font=&#8220;|700||on|||||&#8220; header_font_size=&#8220;70px&#8220; header_line_height=&#8220;1.4em&#8220; header_2_font=&#8220;||||||||&#8220; text_orientation=&#8220;center&#8220; max_width=&#8220;800px&#8220; max_width_last_edited=&#8220;off|desktop&#8220; module_alignment=&#8220;center&#8220; custom_margin=&#8220;|||&#8220; custom_padding=&#8220;|||&#8220; custom_padding_last_edited=&#8220;off|desktop&#8220; animation_style=&#8220;fade&#8220; hover_enabled=&#8220;0&#8243; text_text_color_tablet=&#8220;&#8220; text_text_color_phone=&#8220;&#8220; text_text_color_last_edited=&#8220;on|phone&#8220; header_font_tablet=&#8220;&#8220; header_font_phone=&#8220;&#8220; header_font_last_edited=&#8220;on|tablet&#8220; header_font_size_tablet=&#8220;&#8220; header_font_size_phone=&#8220;40px&#8220; header_font_size_last_edited=&#8220;on|desktop&#8220; global_colors_info=&#8220;{}&#8220; sticky_enabled=&#8220;0&#8243;]<h1><strong><span style=\"color: #00e6ff; font-family: inherit;\">Symposium\u00a0<\/span><\/strong><\/h1>\n<p>&nbsp;<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8220;1&#8243; admin_label=&#8220;Contact Section&#8220; _builder_version=&#8220;4.10.7&#8243; background_color=&#8220;#e9f0f6&#8243; custom_margin=&#8220;10px||||false|false&#8220; custom_margin_tablet=&#8220;0px||||false|false&#8220; custom_margin_phone=&#8220;&#8220; custom_margin_last_edited=&#8220;on|phone&#8220; custom_padding=&#8220;20px|0px|100px|0px|false|false&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_row column_structure=&#8220;1_3,2_3&#8243; admin_label=&#8220;Message Row&#8220; _builder_version=&#8220;3.25&#8243; custom_padding=&#8220;6px|||||&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;3.25&#8243; custom_padding=&#8220;|||&#8220; global_colors_info=&#8220;{}&#8220; custom_padding__hover=&#8220;|||&#8220;][et_pb_text admin_label=&#8220;Title&#8220; _builder_version=&#8220;4.10.8&#8243; text_font=&#8220;Muli|600|||||||&#8220; text_text_color=&#8220;#737373&#8243; text_font_size=&#8220;18px&#8220; header_font=&#8220;||||||||&#8220; header_2_font=&#8220;|700|||||||&#8220; header_2_text_align=&#8220;left&#8220; header_2_font_size=&#8220;30px&#8220; header_2_line_height=&#8220;1.4em&#8220; max_width_last_edited=&#8220;off|desktop&#8220; custom_margin=&#8220;|||&#8220; custom_margin_tablet=&#8220;||-20px||false|false&#8220; custom_margin_phone=&#8220;||-10px||false|false&#8220; custom_margin_last_edited=&#8220;on|desktop&#8220; custom_padding=&#8220;|||10px|false|false&#8220; custom_padding_tablet=&#8220;|||120px|false|false&#8220; custom_padding_phone=&#8220;|||50px|false|false&#8220; custom_padding_last_edited=&#8220;on|phone&#8220; header_text_color_tablet=&#8220;&#8220; header_text_color_phone=&#8220;&#8220; header_text_color_last_edited=&#8220;on|desktop&#8220; header_font_size_tablet=&#8220;&#8220; header_font_size_phone=&#8220;&#8220; header_font_size_last_edited=&#8220;on|desktop&#8220; header_2_font_size_tablet=&#8220;40px&#8220; header_2_font_size_phone=&#8220;20px&#8220; header_2_font_size_last_edited=&#8220;on|phone&#8220; global_colors_info=&#8220;{}&#8220;]<h2>Emma H. Zhang<\/h2>[\/et_pb_text][et_pb_image src=&#8220;http:\/\/ankommen-ohne-worte.de\/wp-content\/uploads\/2021\/09\/Emma-Zang-.jpg&#8220; title_text=&#8220;Emma Zang&#8220; _builder_version=&#8220;4.10.8&#8243; _module_preset=&#8220;default&#8220; transform_scale_tablet=&#8220;60%|60%&#8220; transform_scale_phone=&#8220;70%|70%&#8220; transform_scale_last_edited=&#8220;on|desktop&#8220; transform_translate_tablet=&#8220;&#8220; transform_translate_phone=&#8220;&#8220; transform_translate_last_edited=&#8220;on|tablet&#8220; transform_rotate_tablet=&#8220;&#8220; transform_rotate_phone=&#8220;&#8220; transform_rotate_last_edited=&#8220;on|tablet&#8220; transform_skew_tablet=&#8220;&#8220; transform_skew_phone=&#8220;&#8220; transform_skew_last_edited=&#8220;on|tablet&#8220; transform_origin_tablet=&#8220;&#8220; transform_origin_phone=&#8220;&#8220; transform_origin_last_edited=&#8220;on|tablet&#8220; transform_styles_last_edited=&#8220;on|desktop&#8220; custom_margin_tablet=&#8220;-80px||-30px||false|false&#8220; custom_margin_phone=&#8220;-40px||0px||false|false&#8220; custom_margin_last_edited=&#8220;on|desktop&#8220; transform_styles_tablet=&#8220;&#8220; transform_styles_phone=&#8220;&#8220; border_radii=&#8220;on|8px|8px|8px|8px&#8220; border_width_all=&#8220;2px&#8220; border_color_all=&#8220;#FFFFFF&#8220; box_shadow_style=&#8220;preset1&#8243; global_colors_info=&#8220;{}&#8220;][\/et_pb_image][et_pb_text _builder_version=&#8220;4.10.8&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;]<p><span style=\"font-family: inherit; color: #666666;\"><strong>Freitag, 12.15 \u2013 13.00<br \/><\/strong><\/span>After Arrival &#8211; Representations of immigration in Shaun Tan\u2019s The Arrival (2011) and Cicada (2018)<\/p>\n<p>&nbsp;<\/p>[\/et_pb_text][et_pb_button button_url=&#8220;http:\/\/ankommen-ohne-worte.de\/anmeldung&#8220; button_text=&#8220;Jetzt anmelden&#8220; disabled_on=&#8220;on|on|off&#8220; _builder_version=&#8220;4.10.8&#8243; _module_preset=&#8220;default&#8220; custom_button=&#8220;on&#8220; button_text_color=&#8220;#00e6ff&#8220; button_border_color=&#8220;#00e6ff&#8220; global_colors_info=&#8220;{}&#8220;][\/et_pb_button][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;3.25&#8243; custom_padding=&#8220;|||&#8220; global_colors_info=&#8220;{}&#8220; custom_padding__hover=&#8220;|||&#8220;][et_pb_text disabled_on=&#8220;off|off|off&#8220; _builder_version=&#8220;4.10.8&#8243; _module_preset=&#8220;default&#8220; header_font=&#8220;||||||||&#8220; header_text_color=&#8220;#FFFFFF&#8220; header_font_size=&#8220;22px&#8220; background_enable_color=&#8220;off&#8220; transform_scale_tablet=&#8220;&#8220; transform_scale_phone=&#8220;&#8220; transform_scale_last_edited=&#8220;on|desktop&#8220; transform_translate=&#8220;0px|40px&#8220; transform_translate_tablet=&#8220;&#8220; transform_translate_phone=&#8220;&#8220; transform_translate_last_edited=&#8220;on|phone&#8220; transform_translate_linked=&#8220;off&#8220; transform_rotate_tablet=&#8220;&#8220; transform_rotate_phone=&#8220;&#8220; transform_rotate_last_edited=&#8220;on|desktop&#8220; transform_skew_tablet=&#8220;&#8220; transform_skew_phone=&#8220;&#8220; transform_skew_last_edited=&#8220;on|desktop&#8220; transform_origin_tablet=&#8220;&#8220; transform_origin_phone=&#8220;&#8220; transform_origin_last_edited=&#8220;on|desktop&#8220; transform_styles_last_edited=&#8220;on|phone&#8220; custom_margin=&#8220;0px|||0px|false|false&#8220; custom_margin_tablet=&#8220;||-20px|0px|false|false&#8220; custom_margin_phone=&#8220;||30px||false|false&#8220; custom_margin_last_edited=&#8220;on|tablet&#8220; header_text_color_tablet=&#8220;&#8220; header_text_color_phone=&#8220;&#8220; header_text_color_last_edited=&#8220;on|desktop&#8220; background_last_edited=&#8220;on|phone&#8220; background_enable_color_phone=&#8220;off&#8220; transform_styles_tablet=&#8220;&#8220; transform_styles_phone=&#8220;&#8220; locked=&#8220;off&#8220; global_colors_info=&#8220;{}&#8220;]<h1 style=\"text-align: left;\"><span style=\"color: #000000;\">After Arrival. Representations of immigration in Shaun Tan\u2019s The Arrival (2011) and Cicada (2018)<\/span><\/h1>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<h1 style=\"text-align: left;\"><\/h1>[\/et_pb_text][et_pb_text admin_label=&#8220;Paragraph&#8220; _builder_version=&#8220;4.10.7&#8243; text_font=&#8220;||||||||&#8220; text_text_color=&#8220;#000000&#8243; text_font_size=&#8220;18px&#8220; header_font=&#8220;||||||||&#8220; header_font_size=&#8220;20px&#8220; header_line_height=&#8220;1.1em&#8220; header_2_font=&#8220;Muli|700|||||||&#8220; header_2_font_size=&#8220;50px&#8220; header_2_line_height=&#8220;1.4em&#8220; max_width_last_edited=&#8220;off|desktop&#8220; module_alignment=&#8220;right&#8220; custom_margin=&#8220;|||&#8220; custom_padding=&#8220;|||&#8220; custom_padding_tablet=&#8220;30px|0px|30px|0px&#8220; custom_padding_phone=&#8220;&#8220; custom_padding_last_edited=&#8220;on|tablet&#8220; header_font_tablet=&#8220;&#8220; header_font_phone=&#8220;&#8220; header_font_last_edited=&#8220;on|desktop&#8220; header_font_size_tablet=&#8220;18px&#8220; header_font_size_phone=&#8220;16px&#8220; header_font_size_last_edited=&#8220;on|tablet&#8220; locked=&#8220;off&#8220; global_colors_info=&#8220;{}&#8220;]<p><\/p>\n<p>Shaun Tans &#8222;The Arrival&#8220; schildert auf einf\u00fchlsame Weise die Erfahrung der globalen Migration. Obwohl dasBuch die vielen Pr\u00fcfungen und Schwierigkeiten der ersten Generation von Einwandernden einf\u00e4ngt, ist die Gesamtbotschaft ungerechtfertigt optimistisch: Die Assimilation und Anpassung der Familie an die neue Kultur ist vollst\u00e4ndig. Im Gegensatz dazu zeigt Tans Buch &#8222;Cicada&#8220; aus dem Jahr 2018 eine viel d\u00fcsterere Realit\u00e4t. Es thematisiert die Unm\u00f6glichkeit der Assimilation aufgrund von ethnischen und sprachlichen Unterschieden. Die vierarmige gr\u00fcne Zikade mit ihren riesigen Kulleraugen steht f\u00fcr die Erfahrung der Entmenschlichung, Entfremdung und Unterdr\u00fcckung, unter der hart arbeitende, aber untersch\u00e4tzte Einwandernde oft leiden.<\/p>\n<p>Dr. Emma H. Zhang ist Dozentin f\u00fcr Englisch am College of International Education der Hong Kong Baptist University. Zu ihren Forschungsinteressen geh\u00f6ren vergleichende Literatur und vergleichende Mythologie. Sie hat \u00fcber die Themen zeitgen\u00f6ssische asiatisch-amerikanische Literatur, chinesische Mythologie sowie Life Writing geschrieben.<\/p>[\/et_pb_text][et_pb_button button_url=&#8220;http:\/\/ankommen-ohne-worte.de\/anmeldung&#8220; button_text=&#8220;Jetzt anmelden&#8220; disabled_on=&#8220;off|off|on&#8220; _builder_version=&#8220;4.10.8&#8243; _module_preset=&#8220;default&#8220; custom_button=&#8220;on&#8220; button_text_color=&#8220;#00e6ff&#8220; button_border_color=&#8220;#00e6ff&#8220; locked=&#8220;off&#8220; global_colors_info=&#8220;{}&#8220;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]","protected":false},"excerpt":{"rendered":"<p>Symposium\u00a0 &nbsp;Emma H. ZhangFreitag, 12.15 \u2013 13.00After Arrival &#8211; Representations of immigration in Shaun Tan\u2019s The Arrival (2011) and Cicada (2018) &nbsp;After Arrival. Representations of immigration in Shaun Tan\u2019s The Arrival (2011) and Cicada (2018) Shaun Tans &#8222;The Arrival&#8220; schildert auf einf\u00fchlsame Weise die Erfahrung der globalen Migration. Obwohl dasBuch die vielen Pr\u00fcfungen und Schwierigkeiten [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-359","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ankommen-ohne-worte.de\/en\/wp-json\/wp\/v2\/pages\/359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ankommen-ohne-worte.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ankommen-ohne-worte.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ankommen-ohne-worte.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ankommen-ohne-worte.de\/en\/wp-json\/wp\/v2\/comments?post=359"}],"version-history":[{"count":5,"href":"https:\/\/ankommen-ohne-worte.de\/en\/wp-json\/wp\/v2\/pages\/359\/revisions"}],"predecessor-version":[{"id":569,"href":"https:\/\/ankommen-ohne-worte.de\/en\/wp-json\/wp\/v2\/pages\/359\/revisions\/569"}],"wp:attachment":[{"href":"https:\/\/ankommen-ohne-worte.de\/en\/wp-json\/wp\/v2\/media?parent=359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}